باتريك سويفت
فنان بريطاني
باتريك سويفت (بالإنجليزية: Patrick Swift) هو رسام أيرلندي، ولد في 12 أغسطس 1927 في دبلن في جمهورية أيرلندا، وتوفي في 19 يوليو 1983 في الغرب في البرتغال.[2][3][4]
| باتريك سويفت | |
|---|---|
 |
|
| معلومات شخصية | |
| الميلاد | 12 أغسطس 1927 [1] دبلن |
| الوفاة | 19 يوليو 1983 (55 سنة)
[1] الغرب |
| مواطنة |  جمهورية أيرلندا |
| الحياة العملية | |
| المدرسة الأم | أكاديمية غراند شوميير |
| المهنة | رسام |
| اللغات | الأيرلندية |
| المواقع | |
| الموقع | الموقع الرسمي |
تعديل مصدري - تعديل  | |
مراجع
عدل- ^ ا ب Dictionary of Irish Biography | Patrick Swift (بالإنجليزية), Royal Irish Academy, QID:Q5273969
- ^ "He was a representational artist through and through, in the Kokoschka mould. Fidelity to visual experience above all." — Aidan Dunne, "The lost hope of Irish art", The Sunday Tribune, 28 November 1993
- ^ "Throughout his years in London, when he was right at the nerve centre of its art and literary life, he showed little interest in exhibiting his work." — Brian Fallon, "Patrick Swift and Irish Art", Patrick Swift: An Irish Painter in Portugal, Gandon Editions, 2001(first published: Portfolio 2 - Modern Irish Arts Review, Gandon Editions, Cork, 1993); "Lucian Freud asks me if he is going to show in the new London Waddington’s, I answer that I did not think so, that I do not think he is interested in exhibiting his paintings. We are both puzzled." — Anthony Cronin, Patrick Swift 1927-83, Gandon Editions Biography, 1993; "And one day I found him in his underground flat in Westbourne Terrace busily taking down all his canvases (or rather hardboards, for in those days he couldn’t afford canvas) from the walls and stowing them away in a cellar. His reason was: a millionaire art fancier had rung up to say he was calling and Swift did not want him to buy, or so much as see, his work." — David Wright, Patrick Swift 1927-83, Gandon Editions, 1993; "In the world in which we all moved at that time, I used to be curious as to the detachment Paddy showed to the market place, at his indifference to the fashionable galleries where Freud and Bacon were the beckoning lights, along with Frank Auerbach; it was as if he'd taken Joyce's Stephen Daedalus to heart — that once the work is created, it is no longer anything to do with the artist, who simply stands aside and pares his nails." — مارتن غرين, Patrick Swift 1927-83, Gandon Editions, 1993; "Many people assumed he had stopped painting altogether" — Brian Fallon, "The fall and rise of Patrick Swift", The Irish Times, 11 June 1992
- ^ A circle that included باتريك كافناغ، Anthony Cronin and براندان بيهان.
